René Serrano Rodriguez Blog

  DJHH20. Mixed media/Canvas 250.5 X 149cms  2020 (SOLD) The Artistic Language: A Journey through Calligraphy and Symbols Why delve into calligraphy, manuscripts, signs, and scratches? The calligraphy I create serves as a form of "Glossolalia" — a unique expression that began to take shape when I was just 14. Back in high school, I found myself crafting logograms, signs, and doodles, initially spurred by a peculiar circumstance. Some classmates, hesitant to show their report cards to their parents, sought my help for my signatures, which, to them, resembled adult signatures. What began as a mischievous favor soon evolved into a genuine appreciation for conveying messages visually. At the age of 21, I found myself marked as an Immigrant/Migrant, navigating a new language and culture, relying on images for communication. Museums and galleries became my daily companions, and my communication, though not in French, began to take shape through the visual language of art. These art

I have always felt a strong attraction to African art. Interestingly, I haven't been there, know little about it, and it hasn't been a priority or a dream for an upcoming trip. However, getting to know its art through museums captivates me. I am fortunate to have acquired some pieces throughout my life, and one of them is this "Notarial Act." The piece was purchased during a visit to the "Passé Composé" store in 2014, hosted by my friends Thierry Delannoy and Sylvie Deleersynder in Tournai, Belgium. This piece of wood, approximately 23 x 6 cm, bears illegible calligraphy, at least for me, arranged on the front. Part of what could be an "official seal" of some local authority with a red pigment can be discerned. These types of Acts date back to the 12th to late 18th century in the northern region of Africa. During this period, official documents such as notarial acts, marriage certificates, and "deeds" for homes were often recorded on p