René Serrano Rodriguez Blog

Signs of life *SOL20251206 (King Achoque) Mixed Media / Canvas 200 X 120 centimeters (79 X 47 Inches) 2025 Finally, the fourth and final Painting  of "The Endless River," part of the PECDA "Established Artists Grant of Michoacán"  "Signs of Life"  (King Achoque)  explores the relationship between geometric forms and organic elements to depict fragments of an imagined society. Within this envisioned aquatic environment, an apparent axolotl form emerges as a symbol of regeneration and communal vitality. A red form suggests a Canoe. Executed in acrylic and gold leaf on canvas, the piece presents a unique synthesis of Abstract Expressionism and Geometric abstraction.As I researched more and more about the Michoacán axolotl, an unplanned interest in this little creature was born. I have been navigating the lake of the area (as much as possible) but have not been able to encounter it personally. One could try to "hasten" this meeting, but that would al...

Signs of life #TP20251124 (The whale)  Mixed media / Canvas 200 X 120 cm (79 X 47 In) 2025 I am sharing with you the Third painting of my recent project "The Endless River," for the  PECDA "Established Artists Grant of Michoacán" On this occasion, I focused on the endemic fish species of the lake. My research has brought forth the following: - Pes blanco (Chirostoma estor estor) - The acúmara (Algansea lacustris) - The chehua (Alloophorus robustus) - The tiro (Goodea luitpolldii) - The achoque (Ambystoma dumerilii). Addressed in the previous delivery. Lake Pátzcuaro is the only place in the world where the pez blanco species (Chirostoma estor estor) is found, representing a species of commercial, social, and cultural importance. Currently, the fishing of this species has been seriously affected by overexploitation and the capture of small-sized individuals, in addition to the destruction of the reproduction and oviposition sites, which are mostly located in the litt...

Signs of life *SOL20251012 Mixed Media / Canvas 200 X 120 centimeters (79 X 47 Inches) 2025 I am sharing with you the second painting of my recent project "The Endless River," part of the PECDA "Established Artists Grant of Michoacán"  I am also taking this opportunity to share the status of my dissemination and the delivery of the PICS item, which still remains unanswered. I am concerned about the timeline, and given the situation, I am using this chance to share these concerns. Under the title "signs of life #SOL20251012," this new research piece deals with a selection of flora and fauna from the Lake Pátzcuaro region. The painting measures 200 X 120 centimeters (79 X 47 Inches) and is a mixed media on canvas. Thanks to the kind collaboration of Biologist Mtra. Daniel Díaz Rodríguez, head of the Department of Environmental Management for the State of Michoacán (SECMA), I was able to access valuable information on these subjects. I have ultimately decide...

Signs of life * SOL20251102 ( Día de los muertos en Urandén ) Mixed Media / Canvas 200 X 140 cm (78 X 55 inches) 2025 ( The Endless River Project ) I Just finished the first painting of The Endless River Project! It’s an homage to Día de los Muertos here in México — more specifically, in Uranden, Michoacán , where I got married, as I mentioned in my last post. This large-format painting features a section intervened with gold leaf texture , evoking the underworld — the symbolic space of the spirits. The surface also includes a calligraphic intervention that conceals a secret poem, and is crowned with an orange band alluding to the cempasúchil flower and the candlelight that guides the return of souls during Día de Muertos . Originally, the project was conceived around the native flora of Lake Pátzcuaro . However, in recent years, local residents have begun cultivating small plots of cempasúchil, the iconic flower of the Day of the Dead festivities in the region. For this reason,...

Recently, (May 2020) I was invited to advise on the reopening of a theater in my locality. The project involves the reopening of a beautifully restored venue. I was invited by someone who tasked me with managing the search for multimedia companies to handle the audiovisual content. I did my research, consulted with people in the arts community in my city, and we decided to go with a company from Guadalajara for the initial events at the venue. They were very good :) I resigned from the position specifically because I realized that the madam who is in charge  to manage the project has a minimal understanding of show technology, digital arts, and oral hygiene... It wouldn't matter as much if they didn't express opinions or request things outside the logic of such projects. Additionally, this person maintains a "relationship" with one of the external contractors who signs as an engineer, which don't hold that academic degree. This raised doubts about the administrat...

Alfredo Zalce 1996 by René Serrano Morelia, Michoacán México.  Alfredo Zalce was a renowned artist in the region of Michoacán, Mexico, and a resident of Morelia. I had the pleasure and honor of meeting him around 1994. During that period, I was finishing my high school studies in Economics/Administration and had temporarily set aside the idea of pursuing Arts as a career. I was in the process of taking exams to enter the university for a degree in Business Administration at the Technological Institute of Morelia. At the same time, I couldn't shake off the need to draw, to make music, but I needed guidance in the arts, and that's when he opened his doors to me. Master Alfredo Zalce, originally from Pátzcuaro, always welcomed me without charging a single cent. It seemed like he enjoyed my company, but I realized that he genuinely enjoyed the company of all the young people interested in art. "You are my guests," he would always say. Home video of  ALFREDO ZALCE ...

Dance in the forest series is a Painting work commissioned by a  Real Estate and a parallel experimentation in my own studio. (VIDEO PROCESS IN THE BOTTOM) This building is located near the forest so the inspiration for this artwork became obvious… I started to think about a dance in the forest with butterflies, trees, flowers… So i decided to ask my ballerinas friends to work with me in this commission. Based on the Scene "A Pine Forest" from The Nutcracker ballet by Pyotr Ilyich Tchaikovsky in 1892 My painting work has been inspired by time, textures, music and calligraphy, for this time i decided to work with human skins. This was not the first time… This is an old technique that began in 1958 and now I add my own recipe… When the surface area is ready with the skin textures I start my personal signature recipe with a calligraphy process as a new dialogue with the printed forms. This new layer is covered with a painting work inspired by the textures, forms, time, skin an...