René Serrano Rodriguez Blog

Recently, I was invited to advise on the reopening of a theater in my locality. The project involves the reopening of a beautifully restored venue. I was invited by someone who tasked me with managing the search for multimedia companies to handle the audiovisual content. I did my research, consulted with people in the arts community in my city, and we decided to go with a company from Guadalajara for the initial events at the venue. They were very good :) I resigned from the position specifically because I realized that the madam who is in charge  to manage the project has a minimal understanding of show technology, digital arts, and oral hygiene... It wouldn't matter as much if they didn't express opinions or request things outside the logic of such projects. Additionally, this person maintains a "relationship" with one of the external contractors who signs as an engineer, which don't hold that academic degree. This raised doubts about the administration, and I

Alfredo Zalce 1996 by René Serrano Morelia, Michoacán México.  Alfredo Zalce was a renowned artist in the region of Michoacán, Mexico, and a resident of Morelia. I had the pleasure and honor of meeting him around 1994. During that period, I was finishing my high school studies in Economics/Administration and had temporarily set aside the idea of pursuing Arts as a career. I was in the process of taking exams to enter the university for a degree in Business Administration at the Technological Institute of Morelia. At the same time, I couldn't shake off the need to draw, to make music, but I needed guidance in the arts, and that's when he opened his doors to me. Master Alfredo Zalce, originally from Pátzcuaro, always welcomed me without charging a single cent. It seemed like he enjoyed my company, but I realized that he genuinely enjoyed the company of all the young people interested in art. "You are my guests," he would always say. Home video of  ALFREDO ZALCE

Dance in the forest series is a Painting work commissioned by a real state and a parallel experimentation in my own studio. (VIDEO PROCESS IN THE BOTTOM) This building is located near the forest so the inspiration for this artwork became obvious… I started to think about a dance in the forest with butterflies, trees, flowers… So i decided to ask my ballerinas friends to work with me in this commission. My painting work has been inspired by time, textures, music and calligraphy, for this time i decided to work with human skins. This was not the first time… This is an old technique that began in 1958 and now I add my own recipe… When the surface area is ready with the skin textures I start my personal signature recipe with a calligraphy process as a new dialogue with the printed forms. This new layer is covered with a painting work inspired by the textures, forms, time, skin and after all: music.

"The Pátzcuaro Lake basin is now shallow; fifteen years ago, it would have been around 20 or 10 kilometers deep. The lake is 60% polluted, and today, two of its nine islands are no longer islands due to their shallow depth. The lake's pollution is largely due to various organic and inorganic waste, attacking the fauna and endangered species. Despite having two water treatment plants, waste, deforestation, direct discharge of wastewater by nearby villages make the lake's cleanliness an impossible task and perhaps a prophecy of its disappearance. Using this water for the region's crops is dangerous, making their food a health risk for the inhabitants and tourists in Pátzcuaro, where part of this harvest is sold. Michoacán, named in honor of our precious liquid (Place of lakes-fishermen-fish), has seen an increase in temperatures, reducing its bodies of water. The series aims to narrate my concerns and fears reflected in my postcards, my respect for traditional fishermen