René Serrano Rodriguez Blog

  DJHH20. Mixed media/Canvas 250.5 X 149cms  2020 (SOLD) The Artistic Language: A Journey through Calligraphy and Symbols Why delve into calligraphy, manuscripts, signs, and scratches? The calligraphy I create serves as a form of "Glossolalia" — a unique expression that began to take shape when I was just 14. Back in high school, I found myself crafting logograms, signs, and doodles, initially spurred by a peculiar circumstance. Some classmates, hesitant to show their report cards to their parents, sought my help for my signatures, which, to them, resembled adult signatures. What began as a mischievous favor soon evolved into a genuine appreciation for conveying messages visually. At the age of 21, I found myself marked as an Immigrant/Migrant, navigating a new language and culture, relying on images for communication. Museums and galleries became my daily companions, and my communication, though not in French, began to take shape through the visual language of art. These art

In the year 2014, I was awarded the Established Creators Incentive, a grant that is part of FONCA/ICG.   "For a year, I was in the process of creating an installation called:" SIMBIOSIS. "It was one of the last installations I carried out until this year 2020. The production of an exhibition that, as in this case, had elements of Augmented Reality, Temperature Sensors, Projections, and computing elements is quite complex. This is because various actors are required to monitor its development during the time of such an exhibition, and not many times there is the appropriate technical staff. The final presentation of this project went smoothly, and I thank all the staff of the Instituto de Cultura de Guanajuato as well as the Museo Olga Costa for all the invaluable support they offered me to achieve this exhibition." "Objective: To present a multimedia installation that inspires reflection on our impact and influence as a species and as a

Alfredo Zalce 1996 by René Serrano Morelia, Michoacán México.  Alfredo Zalce was a renowned artist in the region of Michoacán, Mexico, and a resident of Morelia. I had the pleasure and honor of meeting him around 1994. During that period, I was finishing my high school studies in Economics/Administration and had temporarily set aside the idea of pursuing Arts as a career. I was in the process of taking exams to enter the university for a degree in Business Administration at the Technological Institute of Morelia. At the same time, I couldn't shake off the need to draw, to make music, but I needed guidance in the arts, and that's when he opened his doors to me. Master Alfredo Zalce, originally from Pátzcuaro, always welcomed me without charging a single cent. It seemed like he enjoyed my company, but I realized that he genuinely enjoyed the company of all the young people interested in art. "You are my guests," he would always say. Home video of  ALFREDO ZALCE

The Coast Guy 2015 Tuxpan, Veracruz. First day of 2015 After visiting El Tajín, I stayed on the coast of Tuxpan and met this friendly fruit vendor with his extraordinary motorcycle. After striking up a conversation, his bike got stuck, and with the help of the locals and me, we managed to get it running again. It was a lovely start to the year. The beach, as always, is one of the best settings for reflection...

Michoacán, a place where everything is born... Even in death, it finds rebirth. This unforgettable lady is one of the images that have lingered in my heart the most, and one of the first images I can proudly say I captured. This took place on November 2nd, in the year 2000. The lady and I spoke for quite a while outside an ancient temple in Pátzcuaro, Michoacán: El Sagrario, founded by Vasco de Quiroga in 1540. In this grandmother, I see a representation of our heritage and our connection to ancient divinities and wisdom. The beauty of her wrinkles makes me envision the poetry of life's journey.