The "Mar I.A." series


M20241217
Mixed media Canvas
200 X 140 centimeters (78 X 55 Inches)
2024

In an era when artificial intelligence generates representations of our most uninhibited “prompts” at unimaginable speeds, I present this series of paintings, which—without my realizing it at the time—I had already begun in 1998.

That year, I produced a portrait of my school friend Marie as part of an analog photography laboratory course. This image now serves as the point of departure for a new body of work, reconfigured into painterly compositions and interwoven with figures, hairstyles, clothing, and other motifs drawn from diverse art-historical movements.

Copied again and again, the facial features drawn from the same photographic source inevitably change with each human “print.”

Through this process, the work pays homage to the academy as an institution, while simultaneously integrating elements from my own personal history. The academic tradition and the autobiographical narrative intersect, generating a space in which learned conventions and lived experience coexist and inform one another.

Situated between personal biography and mass-produced imagery, the project does not seek merely to depict a woman repeatedly. Rather, it examines how the figure of “the subject” is constructed,  and how identity is mediated through memory and repetition. The result is an iconostasis, assembled from fragments of intimacy and sustained by the lingering presence of personal myth.

The series employs simple, austere, and basic materials—perhaps even those associated with childhood—such as colored pencils and graphite on raw canvas. Each surface is prepared with a single sealing layer, intentionally preserving fingerprints, traces, and imperfections that bear witness to the physical process of making.


Ars Longa, Vita Brevis.




M20250108
Mixed media / Canvas
200 X 140 centimeters (78 X 55 Inches)
2024





A friendly description of that time: 


At the end of 1998, I moved from the Brussels Academy of Fine Arts to the one in Tournai Belgium, but I still visited my friends in Brussels on a monthly basis.

During a party with friends from the studio, I took this photo on analog film of my dear friend Marie during some interlude.







When I finally developed the negative, I found Marie's face, but after all, an expression that, in my opinion, reflects the myths and the passion of the passage through the academy of arts. In her eyes, I “read” images of Victor Horta, the Venus of Willendorf, Alphonse Mucha, The Bosh, the Mayas and of course, to my grandfather and great-great-grandfather, wise jewelers of the last century.








Since then, I began to recreate her face, even with a mural in the city of Doornik, Belgium.


Marie *PBNDB2000  2001 Mural artwork Tournai, Belgium





Over the following years, I continued painting her image, up until today, when I decided to begin a “formal” series. 

Marie *PBNDB2021 2021 SOLD
Mixed media/Canvas 149 X 250 cms


M2021120X80
2021 SOLD
Mixed media/Canvas 120 X 80 cms









Other Maries´s early versions ...



AM1201502009
Mixed media / Canvas
2009 SOLD
Mixed media/Canvas 150 X 120 cms



SN55X712013
Mixed media / Canvas
2013 SOLD
Mixed media / Paper 71 X 51 cms




“Code for Air blow” 2006
Mixed/Photography 71x54 cms. 
Artwork acquired by Contemporary Art Museum of Morelia (MACAZ) , MEXICO
Mich. Patrimonio Estatal. MXCatalog: 7300001860



Detail: “Code for Air blow” 2006










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