René Serrano Rodriguez Blog

In the year 2014, I was awarded the Established Creators Incentive, a grant that is part of FONCA/ICG.   "For a year, I was in the process of creating an installation called:" SIMBIOSIS. "It was one of the last installations I carried out until this year 2020. The production of an exhibition that, as in this case, had elements of Augmented Reality, Temperature Sensors, Projections, and computing elements is quite complex. This is because various actors are required to monitor its development during the time of such an exhibition, and not many times there is the appropriate technical staff. The final presentation of this project went smoothly, and I thank all the staff of the Instituto de Cultura de Guanajuato as well as the Museo Olga Costa for all the invaluable support they offered me to achieve this exhibition." "Objective: To present a multimedia installation that inspires reflection on our impact and influence as a species and as a...

Alfredo Zalce 1996 by René Serrano Morelia, Michoacán México.  Alfredo Zalce was a renowned artist in the region of Michoacán, Mexico, and a resident of Morelia. I had the pleasure and honor of meeting him around 1994. During that period, I was finishing my high school studies in Economics/Administration and had temporarily set aside the idea of pursuing Arts as a career. I was in the process of taking exams to enter the university for a degree in Business Administration at the Technological Institute of Morelia. At the same time, I couldn't shake off the need to draw, to make music, but I needed guidance in the arts, and that's when he opened his doors to me. Master Alfredo Zalce, originally from Pátzcuaro, always welcomed me without charging a single cent. It seemed like he enjoyed my company, but I realized that he genuinely enjoyed the company of all the young people interested in art. "You are my guests," he would always say. Home video of  ALFREDO ZALCE ...

Mineral de Pozos Story 2003 -2017  I have always maintained that our origin is not confined to any particular country; the label on our passport merely signifies the place where chance brought us into the world. Regarding my own roots, I cannot pinpoint them precisely, but what I do know is that certain locations in Guanajuato, such as Mineral de Pozos, deeply resonate with me. I began capturing moments in this locale back in 2003 and have consistently returned whenever possible. The vibrant atmosphere, unusual for a ghost town, and my fascination with the textures and imprints of time keep drawing me back. Hacienda 5 señores 2015  Photo by René Serrano R. From 1880 to 1888, Mineral de Pozos experienced a period of prominence and prosperity. Numerous companies, including Cinco Señores, emerged during this time to extensively exploit the mines, particularly those like La Joya, Nayalito, and Justicia, reaping substantial profits. Hacienda MDP  2017 Photo b...

Aujourd'hui, j'ai eu une excellente conversation d'anniversaire avec mon mentor et grand ami, Christian Rolet. (Voici une photo datant déjà d'un an.) À Rolet : Le sage Maître marchera maintes fois dans mon esprit ; il s'installera comme ce premier jour où il m'a accueilli dans cet atelier à Tournai ; la deuxième ville et famille de ma vie... Je dis "deuxième" pas par ordre d'importance mais plutôt par la signification du temps ; le temps où je suis né à nouveau là-bas. Je n'ai pas seulement appris à "faire" de l'art dans cet atelier ; j'ai appris que l'art devait être VÉCU, que c'était la responsabilité de chacun de nous, en tant qu'étudiants, d'affronter notre décision de croire en notre choix de raconter de nouvelles histoires pour le pureté de notre sincère plaisir. Rolet m'a adopté ; l'être humain derrière les pigments s'est même inquiété de m'emmener à l'aéroport, de m'aider à ch...

Dance in the forest series is a Painting work commissioned by a  Real Estate and a parallel experimentation in my own studio. (VIDEO PROCESS IN THE BOTTOM) This building is located near the forest so the inspiration for this artwork became obvious… I started to think about a dance in the forest with butterflies, trees, flowers… So i decided to ask my ballerinas friends to work with me in this commission. Based on the Scene "A Pine Forest" from The Nutcracker ballet by Pyotr Ilyich Tchaikovsky in 1892 My painting work has been inspired by time, textures, music and calligraphy, for this time i decided to work with human skins. This was not the first time… This is an old technique that began in 1958 and now I add my own recipe… When the surface area is ready with the skin textures I start my personal signature recipe with a calligraphy process as a new dialogue with the printed forms. This new layer is covered with a painting work inspired by the textures, forms, time, skin an...

It's been a while since I had forgotten about this, but I definitely take pleasure in keeping a journal so that it remains lost in the digital future—my thoughts and the trail continue to be tracked, at least as long as technology exists to read these things. After 2015, I spend my days working for Knotion, a company that produces educational content in digital format. Just last month, Eduardo Perez Arroyo conducted a very nice interview with me for the digital magazine e-knotion, where I talked a bit about my past. I'm copying it into this blog. Thank you Lalo Perez , Thank  Knotion. Eduardo Perez Arroyo:  https://www.linkedin.com/in/eduardo-p%C3%A9rez-arroyo-79781757/ :::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::...