René Serrano Rodriguez Blog

"Amy and the Criminals"  Mixed/Canvas 107 X 81 cms  Acquired by Tax Administration Service in CDMX, MX Catalog:  0867_2021 "The division bell" Mixed media / Paper. 61X46 cms Inclusion of New Works in the Federal Catalog A series of my recent works has recently been added to the country's federal catalog, a development that brings me immense satisfaction and, above all, I perceive it as a "magical honor." For me, this achievement acts as a sort of "time machine." The inclusion of these works in the national catalog not only gratifies me but also ensures traceability and easy access in the distant future. With advancements in search technologies, it's conceivable that a descendant, perhaps in the year 2935, could stumble upon my ideas and my unique representation of the present. This notion of art transcending time, allowing us to connect with the truths of people in other eras, latitudes, and perhaps, in the remote future, even other wo

  Punk Baroque *PBLTG0721 (The Three Graces) 250X150cms mix/canvas. 2021 SOLD I was raised in a religious tradition, then a fascination for the ancient religious iconography was so obvious. Since young, far from being interested in the Sunday liturgy mass, my gaze was focused on those painful madonnas of  European origins, the Mexican baroque, its exaggeration in the images, the omnipresent figure of the Virgin of  Guadalupe but also the rituals from the indigenous traditions. Later I lived and studied in central Europe for 5 years. I was so obsessed with the Medieval cathedrals, the art of “Fin de siècle,“ the icons and the ancient jewelry but also the  popular culture, the mix from the different cultures, races and different music styles in those cosmopolitan cities. At first glance it may seem opposite but if we see this mix of processes with the eyes of dialectic maybe we can find a  kind of a synthesis, maybe a mix between Pink Floyd,  J. S. Bach with Cumbias. In this research I s

  High Hopes *DJHH20. Mixed media/Canvas 250.5 X 149cms  2020 (SOLD) The Artistic Language: A Journey through Calligraphy and Symbols Why delve into calligraphy, manuscripts, signs, and scratches? The calligraphy I create serves as a form of "Glossolalia" — a unique expression that began to take shape when I was just 14. Back in high school, I found myself crafting logograms, signs, and doodles, initially spurred by a peculiar circumstance. Some classmates, hesitant to show their report cards to their parents, sought my help for my signatures, which, to them, resembled adult signatures. What began as a mischievous favor soon evolved into a genuine appreciation for conveying messages visually. At the age of 21, I found myself marked as an Immigrant/Migrant, navigating a new language and culture, relying on images for communication. Museums and galleries became my daily companions, and my communication, though not in French, began to take shape through the visual language of ar

I've been on the quest for this guitar for 23 years. Finally, with the support of my friend Juan Pablo, I have succeeded in reuniting with my old Diabla guitar — the Ibanez RG570 LR 1993, a model referred to in its time as the samurai, crafted and sold exclusively in Japanese territory.   The Story of My Red Guitar One might argue that I have never truly visited the United States. My encounters have been limited to brief layovers or the unexpected diversion of my Paris-bound flight to Miami due to a turbine failure, leading to an unexpected stay in a hotel for a couple of days. In 1993, my family, not accustomed to venturing so far, experienced a sudden burst of adventurous spirit. My father conceived the idea of spending a weekend in McAllen, TX. The journey, a pleasant one, unfolded by road from Morelia, Mich., to McAllen, TX. At the tender age of 16, the vast expanse of such a significant place, adorned with countless guitars, felt like a visit to another world.

I finally gave myself the opportunity to re-build the guitar that I named the Heyoka. Let me share the story... This guitar was my first electric guitar, a gift from my father when I was 14 or 15 years old. At that age, having such an instrument felt exhilarating, making one feel invincible. 30 years later, the guitar managed to survive. After numerous jams, falls, and impacts that, in the ecstasy and rage of that age, caused it to crash to the ground, it did not arrive intact, or perhaps only in parts until 2020. This year, as I delve back into musical notes and finally record some songs, I discovered a website where I could register copyright from home. This not only motivated me but also streamlined the bureaucratic process, even though it cost a little more; the value of time made it worthwhile. I acquired the missing pieces, and although the new paint wasn't to my liking initially, I reconsidered. Perhaps this guitar should function as a new instrument, not a regular gui

Recently, I was invited to advise on the reopening of a theater in my locality. The project involves the reopening of a beautifully restored venue. I was invited by someone who tasked me with managing the search for multimedia companies to handle the audiovisual content. I did my research, consulted with people in the arts community in my city, and we decided to go with a company from Guadalajara for the initial events at the venue. They were very good :) I resigned from the position specifically because I realized that the madam who is in charge  to manage the project has a minimal understanding of show technology, digital arts, and oral hygiene... It wouldn't matter as much if they didn't express opinions or request things outside the logic of such projects. Additionally, this person maintains a "relationship" with one of the external contractors who signs as an engineer, which don't hold that academic degree. This raised doubts about the administration, and I

Villers-La-Ville  Villers-la-Ville is an abbey constructed in 1146 in the Walloon region of Belgium. Abandoned in 1796, this former abbey of Cistercian monks has served as the backdrop for various events and has become a tourist attraction in the Belgian kingdom since then. (Yes, it is the setting you observed in the Sense8 series.) Notably, Victor Hugo visited it three times! I had the opportunity to explore this abbey in 2002 and returned later to make some sketches of the tombstones that were present. As a devoted enthusiast of the Romanesque and Gothic periods, I couldn't pass up the chance to observe them on the ground. (Certainly, I did not take anything, and the sketches I made did not impact the surface of the tombstones.) I created the following series with the concept of envisioning a meeting between two beings who traverse a segment of a journey within a series of routes, only to eventually diverge onto different and unique paths. The photographs presented here were cap